Education Quarterly Reviews
ISSN 2621-5799
Published: 10 February 2023
Knowledge of the Historical Development of Chinese Xiansuo Folk Music in Quinghai Province's Hehuang District
Gang Chen, Peerapong Sensai, Warakorn Seeyo
Mahasarakham University, Thailand
Download Full-Text Pdf
10.31014/aior.1993.06.01.710
Pages: 317-327
Keywords: Knowledge, Xiansuo Folk Music, Chinese Folk Music, Quinghai Province, Hehuang District, China
Abstract
The qualitative method was used in this study to examine the historical development of Xiansuo folk music in Hehuang district, Quinghai province, China. Based on the field investigation method, field study method, questionnaire survey method, and recording method Using humanities theory, sociology theory, and historical musicology theory, the study results are as follows: Including its creation process and classifying it according to topic materials Xiansuo folk music is a type of music performance that combines literature, singing, and musical instrument accompaniment. It is widely performed in Haidong City, Qinghai. Xiansuo is not only a unique art form in the Hehuang area, but it is also the result of cultural fusion. It is an aesthetic result of the collective will, thoughts, and emotions, as well as the individual characteristics and aesthetic taste of the Qinghai people, and it has significant scientific value. It is a significant part of the propagation and promotion of traditional music culture and the Qinghai national spirit, as well as a meaningful type of Xiansuo folk music that is distinct from other ethnic musics. Examining Xiansuo music and showing the distinctive creative worth of Xiansuo in contemporary art is critical for encouraging social diversity and conserving traditional folk art. The qualities, musical elements, dissemination, and music have all been explored and researched, and any gaps will need to be filled by future research.
References
Attanayake, A. M. T. K. L. (2021). Traditional Drums in China and Sri Lanka: A Comparative Study.
Beng, T. S. (2000). The" Huayue Tuan"(Chinese Orchestra) in Malaysia: Adapting to Survive. Asian music, 31(2), 107-128.
Cheng, Y. (2005). Xi'an old music in new China:" Living fossil" or" flowing river"?. University of London, School of Oriental and African Studies (United Kingdom).
Dai, J., Wang, K., & Sun, Y. (2020). Analysis on the Inheritance and Development of Manchu Intangible Cultural Heritage in Changbai Mountain by the Creation of Animation Short Films in the New Media Era. In 7th International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2020) (pp. 376-379). Atlantis Press.
Du, P. (2020). "When East Meets West," Chen Yi’s From Old Peking Folklore: The Merging of Chinese and Western Musical Idioms. Doctoral dissertation, Arizona State University.
Jiang, Y. (2004). The Chinese violin concerto “The Butterfly Lovers” by He Zhanhao (1933) and Chen Gang (1935) for violin and orchestra. The University of Texas at Austin.
Jones, S. (2003). Reading between the Lines: Reflections on the Massive" Anthology of Folk Music of the Chinese Peoples". Ethnomusicology, 47(3), 287-337.
Kuo-Huang, H., & Gray, J. (1979). The modern Chinese orchestra. Asian Music, 11(1), 1-43.
Liu, H., & Yang, W. (2017). Discussion on the Characteristics and Heritage Protection of Bai People's Bawangbian in Dali. In 2017 International Conference on Innovations in Economic Management and Social Science (IEMSS 2017) (pp. 794-796). Atlantis Press.
Luo, Y. H. (1988). The influence of Chinese folk and instrumental music on Tcherepnin's" Chinese Mikrokosmos," a lecture recital, together with three recitals of selected works of JS Bach, WA Mozart, C. Debussy, S. Rachmaninoff, D. Shostakovich, and others. University of North Texas.
Punzengruber, N. (2020). The contemporary vernacular in flux: spatial transformations of the built environment in the Dong minoritys habitat. Doctoral dissertation, Wien.
Qiang, L. & Lin, K. (2003). Colleen: Studies of ethnic drama, Publishing House of Minority Nationalities.
Su, C., & He, L. (2017). The Study of Landscape Protection and Utilization in Folk Custom Villages--Take the Hetuala Village in Liaoning Province as an Example. In 2017 3rd International Conference on Economics, Social Science, Arts, Education and Management Engineering (ESSAEME 2017). Atlantis Press.
Thrasher, A. (2008). Sizhu instrumental music of south China: Ethos, theory and practice. Brill.
Thrasher, A. R. (1988). Hakka-Chaozhou Instrumental Repertoire: An Analytic Perspective on Traditional Creativity. Asian music, 19(2), 1-30.
Witzleben, J. L. (1995). "Silk and bamboo" music in Shanghai: the jiangnan sizhu instrumental ensemble tradition. Kent State University Press.
Xiaoqian, H., Chuangprakhon, S. & Karin, K. (2021). The Guzheng Music in Henan Province, China. Review of International Geographical Education Online, 11(5), 2755 – 2765.
Zhang, Q., & Zhang, Q. (2015). The Treasure House of Ancient Chinese Literature and Art. An Introduction to Chinese History and Culture, 319-351.
Zheng, Z., & Zheng, Z. (2021). Guzici and Zhugongdiao: Popular Literary Forms Featured with Singing and Telling. History of Chinese Folk Literature, 297-361.