Education Quarterly Reviews
ISSN 2621-5799
Published: 10 February 2023
A Study on the Development of Henan Zhuizi Folk Music Knowledge in Kaifeng, Henan Province, China
Chao Ren, Awirut Thotham
Mahasarakham University, Thailand
Download Full-Text Pdf
10.31014/aior.1993.06.01.709
Pages: 316-325
Keywords: Knowledge, Henan Zhuizi, Chinese Folk Music, Henan Province, Folk Music Development
Abstract
The qualitative method was used in this study on the development of Henan Zhuizi folk music knowledge in Kaifeng, Henan Province, China. Based on the collected data, an interview form and questionnaire were used as research tools, and nine key informants were selected. The study results are as follows: Henan Zhuizi was mainly spread in the countryside and around the Xiangguo Temple in Kaifeng. In the past, Henan Zhuizi was sung by male actors. There are forms of self-pulling and self-singing, as well as accompaniment singing. Later, actresses appeared. At first, actresses were just a foil for actors. Most of them are male performers. gradually become a form in which the actress is the main actor, and the actor is the auxiliary. These artists came to other provinces to perform and called the Zhui zi from Henan Province "Henan Zhui zi," which is the origin of "Henan Zhuizi." The influence of Henan Zhuizi in the country reached its peak through some policy-related work that indirectly gave birth to a large number of new tracks of Henan Zhuizi and has been established to cultivate a large number of Quyi talents, which has promoted the development of Quyi, especially the development of Henan Zhuizi, since the 1970s.
References
Curtis, E. B. (2019). Chinese-Islamic Works of Art, 1644–1912: A Study of Some Qing Dynasty Examples. Routledge.
Curtis, E. B. (2019). Chinese-Islamic Works of Art, 1644–1912: A Study of Some Qing Dynasty Examples. Routledge.
Dong, M. Y. (1999). Juggling bits: Tianqiao as Republican Beijing’s recycling center. Modern China, 25(3), 303- 342. https://doi.org/10.1177/009770049902500303
Fan, S. (2020). Henan Zhuizi singing art research. Nanjing Normal University. DOI: 10.27245/d.cnki.gnjsu.2020.000449.
Li, Q. (2020). In Introduction to Henan Zhuizi rap art. Henan University Press.
Li, Q. (2020). The singing of Henan Zhuizi picking cotton Drama House. Home to Drama, (08), 12-13.
Liang, K. (1995). Chinese intellectuals in the war: Chongqing, 1937-1945. Yale University.
Liu, L. H. (2013). 7 Popular Readings and Wartime Historical Writings in Modern China. In The Challenge ofLinear Time (pp. 179-214). Brill.
Liu, S. (2022). Xin Fengxia and the Transformation of China's Ping Opera. Cambridge University Press.
Mu, Y. (1993). Chinese Musical Instruments: An Introduction.
Mu, Y. (1994). Academic ignorance or political taboo? Some issues in China's study of its folk song culture.Ethnomusicology, 38(2), 303-320. https://doi.org/10.2307/851742
Oun, M. A., & Bach, C. (2014). Qualitative research method summary. Qualitative Research, 1(5), 252-258. Shepherd, E. T. (2007). A pedagogy of culture based on Chinese storytelling traditions (Doctoral dissertation, TheOhio State University).
Song, N. (2017). The Development Situation of Chinese National Music Teaching. In Proceedings of the 2017INTERNATIONAL CONFERENCE on ADVANCED EDUCATION, PSYCHOLOGY AND SPORTS
SCIENCE (AEPSS) (pp. 86-90).
Speshnev, N. (2013). A Psychological Aspects of the-Perception of Quyi Arts in the. The Eternal Storyteller: OralLiterature in Modern China, (24), 88.
Tsau, S. Y. (1980). Xiangsheng and its star performer Hou Baolin. CHINOPERL, 9(1), 32-79.https://doi.org/10.1179/chi.1980.9.1.32
Wan, M. B. (2020). Legends, Media, and the Transmission of Ideas. In Regional Literature and the Transmissionof Culture (pp. 199-241). Harvard University Asia Center.
Zeng, X. (2018). The Value Exploration of the Digital Technology to the Cultural Database Construction of BashuFolk Music Culture. In 6th International Conference on Social Science, Education and Humanities Research
(SSEHR 2017) (pp. 458-462). Atlantis Press. https://doi.org/10.2991/ssehr-17.2018.103
Zhang, C. (1986). In Zhang Changgong's works. Yellow River Literature and Art Press.
Zhang, L. (1989). In Survey of popular entertainment in Xiangguo Temple. Editorial Department of Henan Volumeof Chinese Quyi Annals.
Zhang, L. (1995). In Annals of Chinese Quyi (Henan volume). China ISBN center.
Zhang, L. (2017). Hubei Drum and Its Further Development from the Perspective of Intangible Cultural Heritage.In 3rd International Conference on Arts, Design and Contemporary Education (ICADCE 2017) (pp. 71-74).
Atlantis Press. https://doi.org/10.2991/icadce-17.2017.15
Zhang, X. (2010). The formation and development of Henan Zhuizi. Collection of Science and Education Journals, (09), 158-159Zhao, S. (2021). In Sixteen lectures on theories and methods of ethnomusicology. Xueyuan publishing house. Zhu, J. (1996). A preliminary study of Henan Zhuizi's flat tune. Chinese Musicology, (S1), 69-75.
Zhuo, L. (2021). Research on the Inheritance of Traditional Folk Art under the Protection of Intangible MarineCultural Heritage. Frontiers in Art Research, 3(1). https://doi.org/10.25236/FAR.2021.030108